THE
CAMPUS

Nestled
in a lush valley between Mt. Assurance and Mascoma Lake,
the community known as Chosen Vale,
founded in 1793, was the ninth of eighteen Shaker communities
established in the United States. Here, community members
practiced equality of the sexes and races, celibacy, pacifism,
and communal ownership of property. Striving to create a
"heaven on earth", the Enfield Shakers built more than 200
buildings (including the Great Stone Dwelling, the largest
Shaker dwelling ever built), farmed over 3,000 acres of
fertile land, educated children in model schools, and followed
the "Shaker Way".
Chosen
Vale is now home to the Enfield Shaker Museum, a nonprofit,
membership organization dedicated to interpreting and preserving
the complex history of the Enfield, New Hampshire Shaker
village, as well as the newly created Center for
Advanced Music Studies which opened in September,
2005.


Great
Stone Dwelling (click to enlarge)
The
Center for Advanced Musical Studies
at Chosen Vale offers dining and accommodations
in the spectacular 1841 Great Stone Dwelling at the Enfield
Shaker Village. This magnificent building incorporated every
luxury and convenience available in 1841 and embodied the
Shaker's commitment to the pursuit of perfection, harmony
and productivity. The first floor was primarily dedicated
to preparing and eating the communities meals. The second
floor housed the Meeting Room as well as 4 dwelling rooms.
The third and fourth floors contained 8 dwelling rooms per
floor, each room measuring approximately 20' x 20'. The
fifth and sixth floors were used as work spaces and storage.
Many rooms today still boast a stunning array of built in
drawers and cupboards, closets, pegrail, and Shaker furniture.
In short, the Great Stone Dwelling contains all the innovations
the Shakers could conceive of to make their temporal home
the reflection of the spiritual perfection they pursued
in their communal lives in Enfield.



Great
Stone Dwelling interior (click to enlarge)
It's
important to recognize that the goals, disciplines, and
methods employed by artist musicians and the goals, disciplines,
and methods of the Shaker community are and were vastly
different. Creative musicians must be prepared to "color
outside the lines" of their art to create personal and meaningful
statements, while the motto of the Shaker community was
"everything in its place". However the goal of each is congruent
-- to achieve the sublime through focus on a self defined
goal and achievement of that goal through hard, determined
work. Faculty members and participants at the Center for
Advanced Musical Studies walk the same halls, and dine,
meet, and sleep in the same rooms the Shakers used 150 years
ago. It is truly a unique experience to be able to live
and work in this piece of New Hampshire and American history.



Stone
Mill (click to enlarge)
Additionally,
participants and faculty will work and perform in two other
unique buildings on the site: the Stone Mill (1849, now
used for masterclasses and teaching) and the Mary Keane
Chapel (1931), which is connected to the Great Stone dwelling
by a stone walkway.


Mary
Keane Chapel (click to enlarge)
The
Mary Keane Chapel was built to designs by Donat R. Baribault
of Springfield, Massachusetts by the Missionaries of Our
Lady of La Salette seven years after the last Enfield Shakers
moved to Canterbury, New Hampshire. The stunning sanctuary
features a brilliant Casavant pipe organ and spectacular
German stained glass windows produced by the Zettler Studios.
This unique historic structure speaks eloquently of the
second phase of the site's two hundred year inhabitation
by religious organizations. Detailed work depicting the
fifteen mysteries of the rosary adorn both sides of the
beautiful bronze front doors. The floor of the sanctuary
is fashioned of Italian marble, as are the enormous, mosaic
covered alters and towering columns. The Mary Keane Chapel
is renowned for its European style acoustic.
The Organ

Casavant
Frères, Ltèe
Opus 1397
(1930, rebuilt 1980's)
Three
manuals, 26 ranks
| Grand
Orgue
Montre
8'
Flžte Ouverte
8'
Gemshorn
8'
Principal
4'
Flute Harm.
4'
Trompette
8'
Cloches
Rècit
Bourdon
16'
Principal
8'
Viole
de Gambe 8'
Voix
Celeste 8'
Bourdon
8'
Flžte
Traverse 4'
Piccolo 2'
Cornet
IV
Trompette
8'
Hautbois
8'
Tremolo
|
....... |
Positif
(enclosed)
Principal
Etroit 8'
Melodie 8'
Dulciane 8'
Flžte d'Amour 4'
Nazard
2 2/3'
Flageolet
2'
Clarinette
8'
Cloches
Pèdale
Flžte
Ouverte 16'
Bourdon
16'
Bourdon
Doux (Recit) 16'
Bourdon
(ext. 16') 8'
Bombarde
16'
Cloches
Couplers
G.
Orgue a la Pèdale
Recit a
la Pèdale
Positif
a la Pèdale
Rècit
au G. Orgue
G. Orgue
Rècit
Rècit
au Positif
Positif
|
The Stained Glass Windows
(click
to enlarge)




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